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Kamis, 14 Maret 2013

Crime Movies: Taken - Directed by Pierre Morel

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Minggu, 24 Juni 2012

2000 UK Movies | Billy Elliot Directed By Stephen Daldry

Nominated for 3 Oscars. Another 49 wins and 54 nominations

Yorkshire, during the endless, violent 1984 strike against the Thatcher closure of British coal mines. Widower Jackie Elliot and his firstborn, fellow miner Tony, take a dim view of 11 year-old second son Billy's poor record in boxing class, which worsens when they discover he sneakily transferred to the neighboring, otherwise girls-only-attended ballet class. Only one schoolmate, closet-gay Michael Caffrey, encourages Billy's desire, aroused by the teacher, who judged him talented enough for private lesson, to train and try out for the world-renowned Royal Ballet audition. Only the prospect of a fancy career unimagined in the pauper quarter may twist pa and big brother's opposition to indispensable support.

Taglines:
Inside every one of us is a special talent waiting to come out. The trick is finding it.

Runtime:
110 min

Billy Elliot Movie Soundtrack

Children Of The Revolution - T-Rex

Cosmic Dancer - T-Rex

Get It On - T-Rex

I Love To Boogie - T-Rex

Ride A White Swan - T-Rex

London Calling - The Clash

A Child Is Born - Douglas Corbin

I Believe - Stephen Gately

Top Hat, White Tie, and Tails

Town Called Malice - Paul Weller

Burning Up - Eagle Eye Cherry

Scène - Swan Lake, Op.20

Jingle Bells - James Lord Pierpont

Runaway Train - Soul Asylum

Lightning Crashes - Live

Billy Elliot (2000) Trivia

Jamie Bell took ballet and other dance classes while in secondary school, which caused him to often be ridiculed by his peers. He used some of these experiences as inspiration while playing Billy Elliot.

In the final scene, the ballet in which Billy performs is Mathew Bourne's version of "Swan Lake" where all the Swans are played by men. Billy plays the part of the Swan, the same part he discusses with Mrs Wilkinson earlier in the film.

One of the great qualms of the entire film was whether Mrs. Wilkinson should be there in the final scene, where the older Billy Elliot performs Swan Lake. Eventually, it came down to the fact that 'Julie Walters' wasn't available for filming.

Billy Elliot's original title was 'Dancer', but when they took the film to the Cannes Film Festival, there was another film called Dancer in the Dark (2000), which won the Palmes D'Or, prompting confusion; indeed, Universal Studios called the directors, producers and writer up and congratulated them. They then realized they had to change the name and settled ('rather lamely', joked the writer) on 'Billy Elliot'.

The musical version of the film, which hit the West End in 2005 to rave reviews and numerous awards and nominations, reportedly cost £5.5 million to make: around £3 million more than the film version. Furthermore, the Broadway production cost $18 million to make, over three times as much as the original film's budget. All three were a financial success.

Jamie Bell is the only one of the four principals to actually come from the area where the film is set.

Jamie Bell was going through puberty at the time of filming. Some of his dialog had to be post-synched as his voice had broken. And the opening scene in which he jumps up and down on a bed to T-Rex's "Cosmic Dancer" was shot over a lengthy period of time. For the latter takes, Bell had acquired hair on his legs and had to have them shaved.

Foundations - Kate Nash

Everybody Hurts - R.E.M

Goofs forBilly Elliot (Quiero bailar)

Incorrectly regarded as goofs: Billy's brother listens to music in his room (at 00:42:07) while wearing headphones but in cuts to the father and grandmother in other rooms in the house they hear the music as well. Some stereos allow the use of headphones and speakers together.
Continuity: When Jackie is inside the bus leading to the mine, an egg hits his window (at 01:14:40), but when the bus is viewed from outside, the window is clean (01:14:44).
Continuity: When Billy visits Debbie at her house, he has his school bag with him (at 00:29:37), but he doesn't have it any more when he is driven home (00:35:35).
Continuity: The punch-bag in the dimly lit shot of the gymnasium when Mrs Wilkinson is talking to Billy is moving in one shot (at 00:39:15), then stationary in the next (00:39:21), then moving again (00:40:20).
Continuity: When Billy goes to visit his mother's grave, her gravestone describes her as "wife of Peter" (at 00:13:31). However, later in the film, Billy's dad is referred to as Jackie (at 00:22:51, 00:68:59 and 00:73:49).
Continuity: Right after Mrs. Wilkinson slaps Billy on the face, at the locker room, we see her from behind with her hands on her face (at 00:47:33 with fingers as if praying). In the next shot, her hands are in a totally different position (at 00:47:34 with clasped hands on her face).
Continuity: When Jackie is on the bus taking him back to the mines, the strikers pull the protective cage off the window of the right side of the bus. Moments later when the bus pulls into the coal yard, all the windows on the right of the bus have the protective caging.

One Of Us - Joan Osborne

Lemon Tree - Fool's Garden

Memorable quotes forBilly Elliot (Quiero bailar)

Dad: Listen, have you noticed anything weird about our Billy lately?
Tony: What are you after like, a list?

Mrs. Wilkinson: Right, Mr. Braithwaite, "The Sun Will Come Out Tomorrow".
[to herself]
Mrs. Wilkinson: Fat chance!

Billy: So what about your mother? Does she have sex?
Debbie: No, she's unfulfilled. That's why she dances.
Billy: She dances instead of sex? Your family's weird!

Billy: I don't want a childhood. I want to be a ballet dancer.

Billy: Miss, you don't fancy me do, do you?
Mrs. Wilkinson: No, Billy. Funnily enough, I don't. Now piss off!
Billy: [smiling] Piss off yourself

Debbie: If you want, I'll show you me fanny.
Billy: Nah, I'm all right.

Mr. Braithwaite: You look like a right wanker to me, son.

Mrs. Wilkinson: This'll sound strange, Billy, but for some time now I've been thinkin' of the Royal Ballet School.
Billy: Aren't you a bit old, miss?
Mrs. Wilkinson: No, not me... you! I'm the bloody teacher!

Billy: So, what's it like, like?
Dad: What's what like?
Billy: London.
Dad: I don't know, son. I never made it past Durham.
Billy: Have you never been?
Dad: Why would I want to go to London?
Billy: It's the capital city!
Dad: Well, there are no mines in London.
Billy: Jesus Christ, is that all you think about?

Michael: Oi, dancing boy!
[Billy runs to Michael]
Dad: We'll miss the bus, Billy!
Tony: Will you stop being an old fucking woman?

Gary Poulson: What are you deeing man? This is hand to hand combat not a bloody tea dance!

Billy: I think I'm scared, Dad.
Dad: That's okay, son. We're all scared.
Billy: Well... if I don't like it, can I still come back?
Dad: Are you kidding? We've let out your room.
[straight face then laughter]

Tutor 1: What does it feel like when you're dancing?
Billy: Don't know. Sorta feels good. Sorta stiff and that, but once I get going... then I like, forget everything. And... sorta disappear. Sorta disappear. Like I feel a change in my whole body. And I've got this fire in my body. I'm just there. Flyin' like a bird. Like electricity. Yeah, like electricity.

Mrs. Wilkinson: She must've been a very special woman, your mother.
Billy: No she was just me mam.

NCB Official: Can you tell us why you first became interested in ballet?
Billy: Don't know.
[pauses]
Billy: Just was.
NCB Official: Well was there any particular aspect of the ballet which caught your imagination?
Billy: The dancin'.

Source: IMDb.com

Senin, 09 Januari 2012

Richard Gere's Best Movies | Brooklyn's Finest Directed By Antoine Fuqua

In Brooklyn, amid drug deals, violence, casual racism, poverty, housing projects, and corrupt cops, we follow three officers: Tango, African-American, working undercover, believing he's earned a promotion to a desk job but told he has to set up the bust of an ex-con who saved his life; Sal, who'll commit murder to get cash to buy a house big enough for his family; and, Eddie, the precinct's oldest beat cop, a week to go before retirement, assigned to mentor an earnest rookie. Can this end well for any of the three?

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Taglines:
Every man has a moment of truth.
This is War. This is Brooklyn.

Blogalaxia Tags: Movie Trailers Hollywood Pictures Movie Mistakes Movie Quotes Movies Info, Movies Videos Movie Taglines

Senin, 31 Oktober 2011

Oscar Winner Movies | Inglourious Basterds Directed By Quentin Tarantino

Storyline: In Nazi occupied France, young Jewish refugee Shosanna Dreyfus witnesses the slaughter of her family by Colonel Hans Landa. Narrowly escaping with her life, she plots her revenge several years later when German war hero Fredrick Zoller takes a rapid interest in her and arranges an illustrious movie premiere at the theater she now runs. With the promise of every major Nazi officer in attendance, the event catches the attention of the "Basterds", a group of Jewish-American guerilla soldiers led by the ruthless Lt. Aldo Raine. As the relentless executioners advance and the conspiring young girl's plans are set in motion, their paths will cross for a fateful evening that will shake the very annals of history.

Blister In The Sun - Violent Femmes

This movie Won an Oscar for Best Performance by an Actor in a Supporting Role for Christoph Waltz. See more awards

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Runtime: 153 min

The Middle - Jimmy Eat World

Taglines:

Once upon a time in Nazi occupied France...
You haven't seen war until you've seen it through the eyes of Quentin Tarantino.
If You Need Heroes, Send In The Basterds

An Inglorious, Uproarious Thrill-Ride of Vengeance.
"We're in the Nazi killin' business and cousin, business is a-boomin'."
A basterd's work is never done.

"Can you Americans speak any other language than English?"
"I love my unofficial title, precisely because I have earned it."
"...because, Marcel, my sweet, we're going to make a film, just for the Nazis."
Diane Kruger Is A Basterd
Til Schweiger Is A Basterd
Eli Roth Is A Basterd
Brad Pitt Is A Basterd
Mélanie Laurent Is A Basterd

There's No Other Way - Blur

Trivia for "Malditos Bastardos"

Quentin Tarantino worked on the script for almost a decade.

During the final card game at the LaLouisiane tavern, the card that Hellstrom (the Gestapo major) has to identify is King Kong. King Kong was one of Adolf Hitler's favorite movies.

Christoph Waltz's character speaks the most different languages in the movie out of anyone else in the cast, 4 (English, French, German, and Italian).

As of 2010, this is Quentin Tarantino's film with the most Academy Award nominations (8).

Tender - Blur

Denis Menochet, who played Perrier LaPadite, was the first person to audition for the role. He's also the first person to appear in the film.

Only five characters in the movie appear in more than two chapters (Hans Landa, Aldo Raine, Donny Donowitz, Shosanna, and Adolf Hitler). Hans Landa appears in four chapters, the most of any character throughout the movie.

The dialogue is in English for approximately 42% of the running time, in German for 28%, in French for 22%, and in Italian for 1%. There is a 54-minute stretch in which less than nine minutes of dialogue are in English, including 25 straight minutes in which no English is spoken.

Far Behind - Candlebox

The film uses the 1963-1990 Universal Pictures logo.

Both the opening and closing credits change fonts numerous times, displaying typefaces seen in a variety of earlier Tarantino films.

Tears In Heaven - Eric Clapton

Goofs And Mistakes for "Bastardos Sin Gloria"

Factual errors: Adolf Hitler has brown eyes in the movie, but in reality he had light blue eyes.

Friday I'm In Love - The Cure

Continuity: When Lt Raine is speaking to the Basterds and says "We're into one thing", he is standing at the right side (Samm Levine's) of the formation. An instant later, when he says "Killin' Nazis", he is at the other end.

Girls And Boys - Blur

Continuity: When Shosanna is on the ladder for the second time, before the Germans come to take her, she is cleaning black letters. She cleans 2 different letters, one of them a 'u', another one, and the 'l' remains uncleaned. The next shot you can see only the 'l' has been cleaned.

La Grange - ZZ Top

Anachronisms: Shosanna is introduced working on her marquee in Paris, "4 years later". Yet this occurs in 1944 and the previous scene in 1941. That's 3 years, not 4.

Stand - Poison

Memorable Quotes for "Le commando des bâtards"

Col. Hans Landa: So who are your three handsome escorts?
Bridget von Hammersmark: I'm afraid neither of the three speak a word of German. They're friends of mine from Italy. This is the wonderful Italian stuntman, Enzo Gorlomi; a very talented cameraman, Antonio Margheriti; and Enzo's camera assistant, Domonick DeCocco.
Bridget von Hammersmark: [in Italian] Gentlemen, this is an old friend, Colonel Hans Landa.
Lt. Aldo Raine: [southern accent] Bawn gorno.

Grantchester Meadows - Pink Floyd

---

Master SGT. Wilhelm: Who are you? British, American? What?
Lt. Aldo Raine: We're American! What're you?
Master SGT. Wilhelm: I'm a German, you idiot!
Lt. Aldo Raine: You speak English pretty good for a German.
Master SGT. Wilhelm: I agree.

---

Col. Hans Landa: [Landa and Bridget sit alone in Shosanna's office; in German] Let me see your foot.
Bridget von Hammersmark: [in German] I beg your pardon?
Col. Hans Landa: [he pats his lap] Put your foot in my lap.
Bridget von Hammersmark: Hans, you embarrass me.
[Landa intolerantly points at his lap. Bridget gives in and places her foot in Landa's lap. Landa gently removes her shoe]
Col. Hans Landa: Could you please reach into the right pocket of my coat and give me what you find in there.
[Bridget slowly reaches into Landa's pocket. Her hand closes around what's inside and she glances at Landa with a look of sudden terror]
Col. Hans Landa: [he simply smiles at Bridget and nods]
[Bridget slowly pulls out the shoe she lost in the tavern firefight, from Landa's coat pocket]
Col. Hans Landa: May I?
[Bridget hands over the shoe, and Landa slips it neatly onto her foot, showing it fits perfectly]
Col. Hans Landa: Voila.
Col. Hans Landa: [In English] 'What's that American expression? "If the shoe fits, you must wear it.'
Bridget von Hammersmark: [chuckles lightly and nervously] What now, Colonel?
[Landa aggressively grabs Bridget by the throat, throws her off the chair and violently strangles her to death]

Roxanne - The Police

---

Lt. Archie Hicox: Lieutenant Archie Hicox reporting, Sir!
General Ed Fenech: General Ed Fenech. At ease, Hicox. Drink?
Lt. Archie Hicox: If you offered me a Scotch and plain water, I could drink Scotch and plain water.
General Ed Fenech: Attaboy, Lieutenant. Make it yourself like a good chap, will you? The bar's in the globe.
Lt. Archie Hicox: Something for yourself, Sir?
General Ed Fenech: Whiskey, straight. No junk in it.

---

Lt. Aldo Raine: Well, I speak the most Italian, so I'll be your escort. Donowitz speaks the second most, so he'll be your Italian cameraman. Omar speaks third most, so he'll be Donny's assistant.
Pfc. Omar Ulmer: I don't speak Italian.
Lt. Aldo Raine: Like I said, third best. Just keep your fuckin' mouth shut. In fact, why don't you start practicing, right now!

---

Bridget von Hammersmark: I can see since you didn't see what happened inside, the Nazis being there must look odd.
Lt. Aldo Raine: Yeah, we got a word for that kinda odd in English. It's called suspicious.

---

Sgt. Donny Donowitz: [Aldo is carving a swastika into Private Butz's forehead] You know, Lieutenant, you're getting pretty good at that.
Lt. Aldo Raine: You know how you get to Carnegie Hall, don't ya? Practice.

---

Col. Hans Landa: [to a bound and blindfolded Lt. Aldo] You've had a nice long run, Aldo. Alas, you're now in the hands of the SS.
[raises hands in a dramatic manner]
Col. Hans Landa: My hands, to be exact. And they've been waiting a long time to touch you.
[fingers reach out and poke Lt. Aldo in the face; Lt. Aldo flinches]
Col. Hans Landa: [chuckling] Caught you flinching.
[Lt. Aldo headbutts Col. Landa]

---

Lt. Aldo Raine: You didn't say the goddamn rendezvous was in a fuckin' basement.
Lt. Archie Hicox: I didn't know.
Lt. Aldo Raine: You said it was in a tavern.
Lt. Archie Hicox: It is a tavern.
Lt. Aldo Raine: Yeah, in a basement. You know, fightin' in a basement offers a lot of difficulties. Number one being, you're fightin' in a basement!

Sgt. Donny Donowitz: Speaking of Frau von Hammersmark, whose idea was it for the death trap rendezvous?
Lt. Archie Hicox: She chose the spot.
Sgt. Donny Donowitz: Well, isn't that just dandy.
Lt. Archie Hicox: Look, she's not a military strategist. She's just an actress.
Lt. Aldo Raine: Well, you don't got to be Stonewall Jackson to know you don't want to fight in a basement.
---
Col. Hans Landa: May I smoke my pipe as well?
Perrier LaPadite: Please, Cononel, make yourself at home.
[Hans pulls out a very large pipe five times the size of Perrier's]
---
Major Dieter Hellstrom: I must say I grow weary of these monkeyshines.
[Maj. Hellstrom cocks his Walther pistol and aims it at Lt. Hicox under the table]
Major Dieter Hellstrom: Did you hear that? That was the sound of my Walther. Pointed right at your testicles.
Lt. Archie Hicox: Why do you have your Walther pointed at my testicles?
Major Dieter Hellstrom: Because you've just given yourself away, Captain. You're no more German than that scotch.
Lt. Archie Hicox: Well, Major...
Bridget von Hammersmark: Major...
Major Dieter Hellstrom: - Shut up, slut. You were saying?
Lt. Archie Hicox: I was saying that that makes two of us. I've had a gun pointed at your balls since you sat down.
[Stiglitz takes Hellstrom by the shoulder and aggressively forces a gun against his crotch]
Sgt. Hugo Stiglitz: That makes three of us. And at this range, I'm a real Frederick Zoller.
Major Dieter Hellstrom: Looks like we have a bit of a sticky situation here.
Lt. Archie Hicox: What's going to happen, Major... you're going to stand up and walk out that door with us.
Major Dieter Hellstrom: No, no, no, no, no, no. I don't think so. I'm afraid you and I... we both know, Captain... no matter what happens to anybody else in this room... the two of us aren't going anywhere. Too bad about Sergeant Wilhelm and his famous friends. If any of you expect to live, you'll have to shoot them too. Looks like little Max will grow up an orphan. How sad.
Lt. Archie Hicox: [In English] Well, if this is it, old boy, I hope you don't mind if I go out speaking the King's.
Major Dieter Hellstrom: By all means, Captain.
Lt. Archie Hicox: [picks up his glass of scotch] There's a special rung in hell reserved for people who waste good scotch. Seeing as how I may be rapping on the door momentarily...
[drinks his scotch]
Lt. Archie Hicox: I must say, damn good stuff, Sir.
[sets his glass down and smokes his cigarette]
Lt. Archie Hicox: Now, about this pickle... we find ourselves in. It would appear there's only thing left for you to do.
Major Dieter Hellstrom: And what would that be?
Lt. Archie Hicox: Stiglitz.
Sgt. Hugo Stiglitz: Say "auf Wiedersehen" to your Nazi balls.
[Stiglitz fires his gun into Hellstrom's crotch]

Time - Pink Floyd

---

Col. Hans Landa: [giddy] Oooh, that's a bingo!
Col. Hans Landa: Is that the way you say it? "That's a bingo?"
Lt. Aldo Raine: You just say "bingo".
Col. Hans Landa: Bingo! How fun! But, I digress. Where were we?

Source: IMDb

OUR RAITINGS AND CRITICS
Recommend: 10 out of 10
Cinematography: 8 of 10
Lead Performers: 9 out of 10
Supporting Cast: 8 out of 10
Director: 9 out of 10
Screen Play: 8 out of 10
Music Score: 10 out of 10

Blogalaxia Tags: Movie Trailers Hollywood Pictures Movie Mistakes Movie Quotes Movies Info, Movies Videos Movie Taglines

Minggu, 02 Oktober 2011

USA Movies | Battle Los Angeles Directed By Jonathan Liebesman

Los Angeles and other cities around the world are being bombarded by meteors that seem to be slowing down once they hit the earth's atmosphere. The earth is suddenly being invaded by space aliens that have landed off the shore of LA, and who begin killing everybody along the beach. The military is ordered into action. Marine Staff Sergeant Nantz (Aaron Eckhart), who was about to retire, is reassigned to a new platoon. The platoon, flown by chopper to the forward operating base at Santa Monica Airport, is being led by a new 2nd Lt. Martinez (Ramon Rodriguez). They are sent on a mission to rescue some civilians who are trapped at the police station within alien territory. They only have 3 hours to complete their mission and get out before the Air Force bombs that zone. 1 win and 1 nomination

Club Foot - Kasabian

The film is inspired by the real life incident known as the Battle of Los Angeles, during World War II. On the night of 24-25 February 1942, unidentified aircraft were allegedly spotted in the airspace above Los Angeles. Suspecting it to be the Japanese, a blackout of the city was ordered and over 1,440 rounds of anti-aircraft ammunition was fired. Upon finding no evidence of the existence of any enemy aircraft, the incident was declared to be a "false alarm". The event has since been chalked up to as being a result of "war nerves", likely triggered by a lost weather balloon and exacerbated by stray flares and shell bursts from adjoining anti-aircraft batteries.

Stand - Poison

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Runtime: 116 min

Trivia

Very little of the film was actually shot in Los Angeles. Tax incentives brought the production to Louisiana where sets of Los Angeles streets were constructed.

Aaron Eckhart broke his arm while filming a stunt. He never missed a day of work because of it.

Due to script changes, 'Michelle Rodriguez''s character wasn't added until a month before filming began.

Karma Police - Radiohead

The officer referred to by Sgt. Nantz on the bus in reference to the line "Retreat Hell" is Capt. Lloyd W. Williams of the 2nd Battalion 5th Marines.When advised to withdraw by a French officer at the defensive line just north of the village of Lucy-le-Bocage on June 1st, 1918, he is said to have replied: "Retreat? Hell, we just got here!". Captain Williams died 11 days later near Chateau-Thierry.

Goofs

Factual errors: Public transit buses don't require a key to start, so there is no need to "hot wire" one.
Factual errors: The laser used to "paint" the target is depicted as a red laser. Lasers used for this purpose are not in the visible spectrum.

Quotes

Corpsman Jibril Adukwu: Shit, I'd rather be in Afghanistan.

---

Cpl. Kevin Harris: Santos, you okay?
TSgt. Elena Santos: Yeah. I got that nasty stuff all over my mouth, man.
TSgt. Elena Santos: Ha ha ha ha.
Cpl. Kevin Harris: It's not funny.
TSgt. Elena Santos: Ha. You let him do you on the first date.

Playing God - Paramore

LCpl. Richard Guerrero: So what's your take on this, specs?
Cpl. Kevin Harris: I don't know, extraterrestrial?
Cpl. Lee Imlay: You mean like from space?
Cpl. Nick Stavrou: No Imlay, from Canada.

Source: IMDb

Blogalaxia Tags: Movie Trailers Hollywood Pictures Movie Mistakes Movie Quotes Movies Info, Movies Videos Movie Taglines

Minggu, 04 September 2011

Romance Movies | Eternal Sunshine Of The Spotless Mind Memorable Quotes

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Memorable Quotes For Eternal Sunshine Of The Spotless Mind (2004)

Joel: Constantly talking isn't necessarily communicating.

Joel: Is there any risk of brain damage?
Howard: Well, technically speaking, the operation is brain damage, but it's on a par with a night of heavy drinking. Nothing you'll miss.

[last lines]
Joel: I can't see anything that I don't like about you.
Clementine: But you will! But you will. You know, you will think of things. And I'll get bored with you and feel trapped because that's what happens with me.
Joel: Okay.
Clementine: [pauses] Okay.

Clementine: Maybe you can find yourself a nice antique rocking chair to die in.

Clementine: Hi!
Joel: Excuse me?
Clementine: I just said hi.
Joel: Oh! Hi, hello.
Clementine: I'm Clementine... No jokes about my name.
Joel: I don't know any jokes about your name.
Clementine: Huckleberry Hound.
Joel: I don't know what that is.
Clementine: Huckleberry Hound!
[singing]
Clementine: Oh my darling, oh my darling, oh my darling Clementine.
Joel: I don't know what that means.
Clementine: Are you NUTS?
Joel: It's been suggested.

Butterfly - Crazy Town

With Me - Sum 41

Joel: [in the house on the beach] I really should go! I've gotta catch my ride.
Clementine: So go.
Joel: I did. I thought maybe you were a nut... but you were exciting.
Clementine: I wish you had stayed.
Joel: I wish I had stayed too. NOW I wish I had stayed. I wish I had done a lot of things. I wish I had... I wish I had stayed. I do.
Clementine: Well I came back downstairs and you were gone!
Joel: I walked out, I walked out the door!
Clementine: Why?
Joel: I don't know. I felt like I was a scared little kid, I was like... it was above my head, I don't know.
Clementine: You were scared?
Joel: Yeah. I thought you knew that about me. I ran back to the bonfire, trying to outrun my humiliation.
Clementine: Was it something I said?
Joel: Yeah, you said "so go." With such disdain, you know?
Clementine: Oh, I'm sorry.
Joel: It's okay.
[Walking Out]
Clementine: Joely? What if you stayed this time?
Joel: I walked out the door. There's no memory left.
Clementine: Come back and make up a good-bye at least. Let's pretend we had one.
[Joel comes back]
Clementine: Bye Joel.
Joel: I love you...
Clementine: Meet me... in Montauk...

Joel: Sand is overrated. It's just tiny, little rocks.

[Mary reads to Dr. Mierzwiak out of "Bartlett's Familiar Quotations"; the lines are from Alexander Pope's poem "Eloisa to Abelard"]
Mary: How happy is the blameless vestal's lot! / The world forgetting, by the world forgot / Eternal sunshine of the spotless mind! / Each pray'r accepted, and each wish resign'd.

Joel: I could die right now, Clem. I'm just... happy. I've never felt that before. I'm just exactly where I want to be.

[as Joel and Clementine eat out, he thinks about the other glum-looking couples in the restaurant]
Joel: Are we like couples you see in restaurants? Are we the dining dead?

Clementine: Drink up, young man. It'll make the whole seduction part less repugnant.

Ready To Start - Arcade Fire

Infrared - Placebo

Joel: I can't remember anything without you.
Clementine: That's sweet, but try.

[first lines]
Joel: [voice over] random thoughts for Valentine's day, 2004. Today is a holiday invented by greeting card companies to make people feel like crap.

Clementine: Wish me a happy Valentine's Day when you call. That'd be... nice!

Clementine: You're not a stalker, or anything, right?
Joel: I'm not a stalker. YOU'RE the one that talked to me, remember?
Clementine: That is the oldest trick in the stalker book.
Joel: Really? There's a stalker book? Great, I gotta read that one.

Clementine: You're really nice... God, I have to stop saying that!

Joel: I had a really nice time last night.
Clementine: Nice?
Joel: I had the best fucking night of my entire fucking life, last night!
Clementine: Thaaaat's better!

Joel: [on tape recording] And the whole thing with the hair - it's all bullshit.
Joel: I really like your hair.
Clementine: Thank you.

Clementine: And in your little brain. You try to figure out, "Did she fuck someone tonight?"
Joel: No, see Clem. I assume you fucked someone tonight. Isn't that how you get people to like you?

Song To Say Goodbye - Placebo

The Suburbs - Arcade Fire

See more quotes at IMDb.com

Blogalaxia Tags: Movie Trailers Hollywood Pictures Movie Mistakes Movie Quotes Movies Info, Movies Videos Movie Taglines

2004 | Eternal Sunshine Of The Spotless Mind Directed By Michel Gondry

A couple undergo a procedure to erase each other from their memories when their relationship turns sour, but it is only through the process of loss that they discover what they had to begin with. Voted movie of the year by Empire magazine in 2004. Won an oscar for Best Writing, Original Screenplay and another 36 awards

Helena - My Chemical Romance

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Runtime: 108 min

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Trivia for Eternal Sunshine of the Spotless Mind (2004)

The title is quoted from the poem "Eloisa to Abelard" by Alexander Pope (1688-1744). This poem was used in Charlie Kaufman's earlier project Being John Malkovich. The movie is based on the following quote from an Alexander Pope poem, "How happy is the blameless vestal's lot! The world forgetting, by the world forgot. Eternal sunshine of the spotless mind! Each pray'r accepted, and each wish resign'd."

When Joel is in his head and is visiting his session of the erasing process, no special effects were used to show the two Joels in the one scene. Jim Carrey had to take off his hat and jacket when he was not in shot and had to quickly sit down in the chair and visa-versa when he has to stand up.

The memory-erasing company, Lacuna Inc., takes its name from the Latin word meaning a cavity, hollow, or dip, especially a pool or pond. Transfiguratively, lacuna comes to mean a gap, deficiency, or loss. The term "lacunar infarct" refers to a stroke that involves a small area of the brain responsible for a specific function, or ever a specific memory. Additionally, in papyrology (the study of ancient manuscripts) a lacuna is a hole where part of the text is missing, and which can sometimes be re-constructed.

All of the train shots were shot onboard a real, moving, train.

The computer used during the procedure is actually an Amstrad PPC (Portable Personal Computer) from the early 1990s.

The Ghost Of You - My Chemical Romance

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CRAZY CREDITS:

The credits are right justified, versus the usual center justified credits.
The opening credits appear 18 minutes into the film, at the end of the first reel.
The text in the opening credits appears quickly and then slowly withers
away, like a memory.

Memorable Quotes

Clementine: I don't need nice. I don't need myself to be it, and I don't need anybody else to be it at me.

Joel: If only I could meet someone new. I guess my chances of that happening are somewhat diminished, seeing that I'm incapable of making eye contact with a woman I don't know.

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Source: IMDB.com

Famous Last Words - My Chemical Romance

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Rabu, 31 Agustus 2011

Comedy Movies | Rosencrantz & Guildenstern Are Dead - Memorable Quotes

Memorable quotes for Rosencrantz And Guildenstern Are Dead

The Player: We're actors! We're the opposite of people!
--
The Player: For a handful of coin I happen to have a private and uncut performance of "The Rape of the Sabine Women," or rather woman, or rather Alfred, and for eight you can participate.
--
The Player: We're more of the love, blood, and rhetoric school. Well, we can do you blood and love without the rhetoric, and we can do you blood and rhetoric without the love, and we can do you all three concurrent or consecutive. But we can't give you love and rhetoric without the blood. Blood is compulsory. They're all blood, you see.
Guildenstern: Is that what people want?
The Player: It's what we do.
--
The Player: The old man thinks he's in love with his daughter.
Rosencrantz: Good God. We're out of our depths here.
The Player: No, no, no! He hasn't got a daughter! The old man thinks he's in love with his daughter.
Rosencrantz: The old man is?
The Player: Hamlet... in love... with the old man's daughter... the old man... thinks.
Rosencrantz: Ah.
--

The Player: Generally speaking, things have gone about as far as they can possibly go, when things have gotten about as bad as they can reasonably get.
--

The Player: We are tragedians, you see? We follow directions. There is no choice involved. The bad end unhappily, the good, unluckily. That is what tragedy means.
--
The Player: We can do rapiers... or rape... or both!
--

The Player: [after the performance in front of the servants] Are you familiar with this play?
Guildenstern: No.
The Player: A slaughterhouse, eight corpses all told.
Guildenstern: [does a quick mental recount, then] Six.
The Player: Eight.
[the two tragedians who resemble Rosencrantz and Guildenstern are "hanged"]
Guildenstern: Who are they?
The Player: They're dead.
--
The Player: Why?
Guildenstern: Ah, why?
Rosencrantz: Exactly!
Guildenstern: Exactly what?
Rosencrantz: Exactly why?
Guildenstern: Exactly why what?
Rosencrantz: What?
Guildenstern: Why?
Rosencrantz: Why what exactly?
Guildenstern: WHY IS HE MAD?
Rosencrantz: I DON'T KNOW!
--

I Don't Love You - My Chemical Romance

This Is How I Disappear - My Chemical Romance

Guildenstern: It could have been - it didn't have to be obscene! I was prepared. But it's this, is it? No enigma, no dignity, nothing classical, poetic - only this, a comic pornographer and a rabble of prostitutes!
The Player: You should have caught us in better times. We were purists then.
--
Guildenstern: Wasn't that the end?
Player King: You call that an ending? - with practically everyone still on his feet? My goodness, no - over your dead body!

Guildenstern: Is that you?
Rosencrantz: I don't know.
Guildenstern: [in disgust] It's you.
--
Guildenstern: Rosencrantz?
Rosencrantz: What?
Guildenstern: Guildenstern?
Rosencrantz: What?
Guildenstern: Don't you discriminate at ALL?
--
[Rosencrantz has been flipping coins, and all of them are coming down heads]
Guildenstern: Consider: One, probability is a factor which operates *within* natural forces. Two, probability is *not* operating as a factor. Three, we are now held within un-, sub- or super-natural forces. Discuss.
Rosencrantz: What?
--
Guildenstern: I think I have it. A man talking sense to himself is no madder than a man talking nonsense not to himself.
Rosencrantz: Or just as mad.
Guildenstern: Or just as mad.
Rosencrantz: And he does both.
Guildenstern: So there you are.
Rosencrantz: Stark raving sane.
--
Guildenstern: All your life you live so close to truth it becomes a permanent blur in the corner of your eye. And when something nudges it into outline, it's like being ambushed by a grotesque.
--
Guildenstern: We're still finding our feet.
The Player: I should concentrate on not losing your head.
--
Guildenstern: What's the first thing you remember?
Rosencrantz: [thinks] No, it's no good. It was a long time ago.
Guildenstern: No, you don't take my meaning. What's the first thing you remember after all the things you've forgotten?
Rosencrantz: Oh, I see... I've forgotten the question.
--
[after stabbing the Player]
Guildenstern: If this is our destiny, then that was his, and if there are no explanations for us, let there be none for him.
--

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Rosencrantz: Life in a box is better than no life at all, I expect. You'd have a chance, at least. You could lie there thinking, "Well. At least I'm not dead.'
--
Rosencrantz: Did you ever think of yourself as actually dead, lying in a box with a lid on it?
Guildenstern: No.
Rosencrantz: Nor do I, really. It's silly to be depressed by it. I mean, one thinks of it like being alive in a box. One keeps forgetting to take into account the fact that one is dead, which should make all the difference, shouldn't it? I mean, you'd never *know* you were in a box, would you? It would be just like you were asleep in a box. Not that I'd like to sleep in a box, mind you. Not without any air. You'd wake up dead for a start, and then where would you be? In a box. That's the bit I don't like, frankly. That's why I don't think of it. Because you'd be helpless, wouldn't you? Stuffed in a box like that. I mean, you'd be in there forever, even taking into account the fact that you're dead. It isn't a pleasant thought. Especially if you're dead, really. Ask yourself, if I asked you straight off, "I'm going to stuff you in this box. Now, would you rather be alive or dead?" naturally, you'd prefer to be alive. Life in a box is better than no life at all, I expect. You'd have a chance, at least. You could lie there thinking, "Well, at least I'm not dead. In a minute somebody is going to bang on the lid, and tell me to come out."
[bangs on lid]
Rosencrantz: "Hey you! What's your name? Come out of there!"
Guildenstern: [long pause] I think I'm going to kill you.
--
Rosencrantz: Whatever became of the moment when one first knew about death? There must have been one. A moment. In childhood. When it first occured to you that you don't go on forever. Must have been shattering. Stamped into one's memory. And yet, I can't remember it. It never occured to me at all. We must be born with an intuition of mortality. Before we know the word for it. Before we know that there are words. Out we come, bloodied and squawling, with the knowledge that for all the points of the compass, theres only one direction. And time is its only measure.
--
Rosencrantz: Shouldn't we be doing something... constructive?
Guildenstern: What did you have in mind? A short, blunt human pyramid?
--
Rosencrantz: Do you think Death could possibly be a boat?
Guildenstern: No, no, no... Death is "not." Death isn't. Take my meaning? Death is the ultimate negative. Not-being. You can't not be on a boat.
Rosencrantz: I've frequently not been on boats.
Guildenstern: No, no... What you've been is not on boats.
--
Rosencrantz: So, we've got a letter which explains everything.
Guildenstern: You've got it!
Rosencrantz: I thought you had it.
Guildenstern: I do have it.
Rosencrantz: You have it?
Guildenstern: You've got it!
Rosencrantz: I don't get it!
Guildenstern: You haven't got it?
Rosencrantz: I just said that.
Guildenstern: I've got it.
Rosencrantz: Oh, I got it!
Guildenstern: Shutup!
Rosencrantz: Right.
--
Rosencrantz: I don't believe in it anyway.
Guildenstern: What?
Rosencrantz: England.
Guildenstern: Just a conspiracy of cartographers, then?
--
Rosencrantz: What are you playing at?
Guildenstern: Words. Words. They're all we have to go on.
--
Rosencrantz: Is that southerly?
Guildenstern: We came from roughly south.
Rosencrantz: Which way is that?
Guildenstern: In the morning, the sun would be easterly. I think we can assume that.
Rosencrantz: That it's morning?
Guildenstern: If it is, and the sun is over there for instance, that would be northerly. On the other hand, if it's not morning and the sun is over there, that would still be northerly. To put it another way, if we came from down there, and it's morning, the sun would be up there, but if it's actually over there and it's still morning, we must have come from back there, and if that's southerly, and the sun is really over there, then it's the afternoon. However, if none of these are the case...
Rosencrantz: Why don't you go and have a look?
Guildenstern: Pragmatism. Is that all you have to offer?
Rosencrantz: I merely suggest that the position of the sun, if it is out, would give you a rough idea of the time. Alternatively, a clock, if it is going, would give you a rough idea of the position of the sun. I forget which you are trying to establish.
Guildenstern: I'm trying to establish the direction of the wind.
Rosencrantz: There isn't any wind.
[the shutters blow open and a paper windmill which Rosenkrantz is holding starts spinning]
Rosencrantz: Draughts, yes!
--
Guildenstern: [after questioning Hamlet] I think we can say we made some headway.
Rosencrantz: You think so?
Guildenstern: I think we can say that.
Rosencrantz: I think we can say he made us look ridiculous.
Guildenstern: We played it close to the chest, of course.
Rosencrantz: Question and answer! Old ways are the best ways! He was scoring off us all down the line.
Guildenstern: He caught us on the wrong foot once or twice, perhaps, but I thought we gained some ground.
Rosencrantz: He murdered us.
Guildenstern: He might have had the edge.
Rosencrantz: Twenty-seven to three, and you think he might have had the edge? He *murdered* us!
Guildenstern: What about our evasions?
Rosencrantz: Oh, our evasions were lovely - "Were you sent for?" "My Lord, we were sent for." I didn't know where to put myself.
Guildenstern: He had six rhetoricals.
Rosencrantz: It was question and answer, all right. Twenty-seven questions he got out in ten minutes, and answered three! I was waiting for you to *delve.* "When is he going to start delving?" I asked myself.
--
Rosencrantz: Oh! You mean - you pretend to be *him*, and I ask you questions!
Guildenstern: Very good.
Rosencrantz: You had me confused.
Guildenstern: I could see I had.
Rosencrantz: How should I begin?
Guildenstern: Address me.
Rosencrantz: My honoured Lord!
Guildenstern: My dear Rosencrantz!
Rosencrantz: ...Am I pretending to be you, then?
Guildenstern: Certainly not. Well, if you like. Shall we continue?
Rosencrantz: My honoured Lord!
Guildenstern: My - dear fellow!
Rosencrantz: How are you?
Guildenstern: Afflicted.
Rosencrantz: Really? In what way?
Guildenstern: Transformed.
Rosencrantz: Inside or out?
Guildenstern: Both.
Rosencrantz: I see. Not much new there!
Guildenstern: [shouting] Well, go into detail! Delve!
--
--
Rosencrantz: Do you want to play questions?
Guildenstern: How do you play that?
Rosencrantz: You have to ask a question.
Guildenstern: Statement. One - Love.
Rosencrantz: Cheating.
Guildenstern: How?
Rosencrantz: I haven't started yet.
Guildenstern: Statement. Two - Love.
Rosencrantz: Are you counting that?
Guildenstern: What?
Rosencrantz: Are you counting that?
Guildenstern: Foul. No repetition. Three - Love and game.
Rosencrantz: I'm not going to play if you're going to be like that.
--
Guildenstern: Whose serve?
Rosencrantz: Err...
Guildenstern: Hesitation! Love... one.
Rosencrantz: Whose go?
Guildenstern: Why?
Rosencrantz: Why not?
Guildenstern: What for?
Rosencrantz: Foul! No synonyms! One... all.
Guildenstern: What in God's name is going on?
Rosencrantz: Foul! No rhetoric! Two... one.
Guildenstern: What does it all add up to?
Rosencrantz: Can't you guess?
Guildenstern: Were you addressing me?
Rosencrantz: Is there anyone else?
Guildenstern: Who?
Rosencrantz: How would I know?
Guildenstern: Why do you ask?
Rosencrantz: Are you serious?
Guildenstern: Was that rhetoric?
Rosencrantz: No.
Guildenstern: Statement! Two all. Game point.
--
Rosencrantz: What's the matter with you today?
Guildenstern: When?
Rosencrantz: What?
Guildenstern: Are you deaf?
Rosencrantz: Am I dead?
Guildenstern: Yes or no?
Rosencrantz: Is there a choice?
Guildenstern: Is there a God?
Rosencrantz: Foul! No non sequiturs! Three... two, one game all.
Guildenstern: What's your name?
Rosencrantz: What's yours?
Guildenstern: You first.
Rosencrantz: Statement! One... love.
Guildenstern: What's your name when you're at home?
Rosencrantz: What's yours?
Guildenstern: When I'm at home?
Rosencrantz: Is it different at home?
Guildenstern: What home?
Rosencrantz: Haven't you got one?
Guildenstern: Why do you ask?
Rosencrantz: What are you driving at?
Guildenstern: What's your name?
Rosencrantz: Repetition! Two... love. Match point.
Guildenstern: Who do you think you are?
Rosencrantz: Rhetoric! Game and match!
--
--
[Guildenstern is pretending to be Hamlet]
Rosencrantz: Let me get it straight. Your father was king. You were his only son. Your father dies. You are of age. Your uncle becomes king.
Guildenstern: Yes.
Rosencrantz: Unusual.
Guildenstern: Undid me.
Rosencrantz: Undeniably.
Guildenstern: He slipped in.
Rosencrantz: Which reminds me...
Guildenstern: Well, it would.
Rosencrantz: I don't want to be personal.
Guildenstern: Common knowledge.
Rosencrantz: Your mother's marriage.
Guildenstern: He slipped in.
Rosencrantz: His body was still warm!
Guildenstern: So was hers.
Rosencrantz: Extraordinarily...
Guildenstern: Indecent.
Rosencrantz: Hasty.
Guildenstern: Suspicious.
Rosencrantz: Makes you think.
Guildenstern: Don't think I haven't.
Rosencrantz: And with her husband's brother!
Guildenstern: They *were* close.
Rosencrantz: She went to him...
Guildenstern: Too close.
Rosencrantz: For comfort.
Guildenstern: It looks bad.
Rosencrantz: Adds up.
Guildenstern: Incest to adultery.
Rosencrantz: Would you go so far?
Guildenstern: Never!
Rosencrantz: To sum up: your father, whom you love, dies. You are his heir. You come back to find that hardly was the corpse cold before his young brother pops onto his throne and into his sheets, thereby offending both legal and natural practice. Now... why exactly are you behaving in this extraordinary manner?
Guildenstern: I can't imagine.
--
Rosencrantz: Another curious scientific phenomenon is the fact that the fingernails grow after death, as does the beard.
Guildenstern: What?
Rosencrantz: Beard.
Guildenstern: But you're not dead.
Rosencrantz: I didn't say they only started to grow after death. The fingernails also grow before birth - though not the beard.
Guildenstern: What?
Rosencrantz: BEARD! What's the matter with you?
[pause]
Rosencrantz: The toenails, on the other hand, never grow at all.
Guildenstern: The toenails on the other FOOT never grow at all.
Rosencrantz: ...no.
--

Rosencrantz: [Rosencrantz and Guildenstern are about to be hanged] That's it then, is it? We've done nothing wrong. We didn't harm anybody, did we?
Guildenstern: I can't remember.
Rosencrantz: All right, then. I don't care. I've had enough. To tell you the truth, I'm relieved.
Guildenstern: There must have been a moment at the beginning, where we could have said no. Somehow we missed it. Well, we'll know better next time.
The Player: Till then.
--
[last lines]
Ambassador from England: The sight is dismal / And our affairs from England come too late. / The ears are senseless that should give us hearing, to tell him his commandment is fulfilled,/ That Rosencrantz and Guildenstern are dead.

Mama - My Chemical Romance

Dead! - My Chemical Romance

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Source: IMDb.com

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